Aa jaanejaan
S…. RGM(P) GM
Aa meraa ye husn jawaan tuu kyon tarasaaye jawaan jawaan
d d PM PP n’R’ N DPM PP M dd M SS’ M
o zaalim aa jaanaa
PIPMGIMIMG
Tere I liye hai I aas I lagaaye
MMPIddldldPIMPP
O I zaalim aa jaanaa
PIPMGIMMGI -o
Aa jaanejaan
S…. I RGM(P) GM
O aankh I se I mast I Tapake hal
(N)S’… I S’IS’IS’S’ I N’S’
Tapake I hai, I tuu I dekhe I na
N’S’ S’ S’R’S’ I N’ ^’
[Repeat for following lines..] dil I kaa I saagar I chhalake hai, chhalake hai, tuu I samajhe I na
aa la la la la la PP PPPP PS’
aa I kyon tadapaaye,
PIPIMPdd
Amazing song composition , superb rhythm and Helen’ unmatched dance sequence and last but not the least – Lataji
Hanging shocks and the purity of Lataji’s voice. Strange contradiction: How does the poem go without vulgarity? Someone learns the goddess of heaven from Lataji
Helen is good dancer cannot be replaced by any dancer. R B Das
Lataji was criticised by Bollywood colleagues for rendering such type of cabaret song n she promised to not sing such item song, though beautifully composed. Very few know this
LAXMIKANT PAYRE were talented composer This composition is in PANCHAM style They accept the challenge and compose wastern style CABBERT tune and above all instead of ASHA ji They TOOK lata ji Which is the BEST PART OF THIS SONG and LATA did CLASSIC job Salam from PAKISTAN
This original song is excellent. There is no voice like lata mangeskar s voice could be find. Such delicate fine voice never ever in the world.
This song is a nice love song. Helen is mysterious. from Japanese hindi film fan